fuck yeah museums!

erleichda:

Last twenty seconds of this clip always had a really big impact on me.  

You know, when I’d watch it Wednesday mornings during Saved by the Bell commercial breaks.

But in all seriousness, 

“I used it in this context to see that he’s (Cameron) looking at that little girl. Again, it’s a mother and child. The closer he looks at the child, the less he sees. Of course, with this style of painting. Or any style of painting really. But the more he looks at, there’s nothing there. I think he fears that the more you look at him the less you see. There isn’t anything there. That’s him.” -John Hughes