fuck yeah museums!

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fuck yeah museums!

museums play a substantial role in the construction of ideologies and identities

construct an identity.

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  • meganlubaszka:

Automatic Joseph Beuys reblog. Felt! Fat! Fedora!
austinkleon:

theartofchalkboards:
Tate Modern| Past Exhibitions | Joseph Beuys: Actions, Vitrines, Environments
Blackboards 1972 and 1978
Beuys regarded teaching as an essential element of his work as an artist. He was a profoundly charismatic and inspirational professor at the Düsseldorf Academy of Art, where he taught a generation of German artists. Beuys’s relationship with the authorities at the academy was always stormy, and he was dismissed in 1972. However, by then he was expounding his theories of sculpture, democracy and green politics at conferences and art galleries around the world. These lectures were closer in spirit to Actions than to traditional academic practice, and the blackboards that he invariably covered in idiosyncratic diagrams and Beuysian slogans have come to be regarded as works in their own right. Several of the blackboards shown here are preserved from Beuys’s lectures at the Tate Gallery in 1972, which were described by the critic Caroline Tisdall as ‘a blend of art, politics, personal charisma, paradox and Utopian proposition’.

I love the idea of chalkboards as preserved artifacts from lectures. See one of the chalkboards here.

    meganlubaszka:

    Automatic Joseph Beuys reblog. Felt! Fat! Fedora!

    austinkleon:

    theartofchalkboards:

    Tate Modern| Past Exhibitions | Joseph Beuys: Actions, Vitrines, Environments

    Blackboards 1972 and 1978

    Beuys regarded teaching as an essential element of his work as an artist. He was a profoundly charismatic and inspirational professor at the Düsseldorf Academy of Art, where he taught a generation of German artists. Beuys’s relationship with the authorities at the academy was always stormy, and he was dismissed in 1972. However, by then he was expounding his theories of sculpture, democracy and green politics at conferences and art galleries around the world. These lectures were closer in spirit to Actions than to traditional academic practice, and the blackboards that he invariably covered in idiosyncratic diagrams and Beuysian slogans have come to be regarded as works in their own right. Several of the blackboards shown here are preserved from Beuys’s lectures at the Tate Gallery in 1972, which were described by the critic Caroline Tisdall as ‘a blend of art, politics, personal charisma, paradox and Utopian proposition’.

    I love the idea of chalkboards as preserved artifacts from lectures. See one of the chalkboards here.

    Tagged: tate modern london joseph beuys

    Posted on August 31, 2010 via The Art of Chalkboards with 54 notes

    Source: theartofchalkboards

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    16. jacobpatterson reblogged this from 7knotwind and added:
      an absolute thug,...number two inspiration for my current style.
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    22. wreckandsalvage reblogged this from notational and added:
      This is the first piece of Art I ever purchased, a signed set of 32 Beuys Postcards. I was living near Germany at the...
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    33. 7knotwind reblogged this from theartofchalkboards and added:
      intellectual and artistic inspiration (plus I have a healthy affinity for chalkboards)
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    39. janewinget reblogged this from austinkleon and added:
      at the Des Moines art center last summer, and there was something fascinating about it) but I have such a professional...
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    45. meganlubaszka reblogged this from austinkleon and added:
      Automatic Joseph Beuys reblog. Felt! Fat! Fedora!
    46. shiningbutterfly liked this
    47. austinkleon reblogged this from theartofchalkboards and added:
      I love the idea of chalkboards as preserved artifacts from lectures. See one of the chalkboards here.
    48. theartofchalkboards posted this

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